2. Ariadne auf Naxos. Opera in One Act with a Prologue. Music by Richard Strauss. Libretto by Hugo von Hofmannsthal. First Performance. Libretto by Giuseppe Giacosa and Luigi lllica, based on episodes from As revised, Ariadne auf Naxos premiered at the Hofoper in Vienna on. Ariadne auf Naxos ( version) (). Duration: minutes. Opera in one act with a prologue (Revised version of score). English Deutsch. Libretto by .

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Strange is woman’s heart that ever, Ever knows itself so ill. Zerbinetta and her companions make a vain attempt to attract her attention arriadne Harlequin sings about the passing of sorrow and the return of love; but she does not even lift her head.

Treulos – sie sinds! And are the realms of death so greatly blessed, So free from need of the things of this earth? After the 2nd repetition of naxs Als ein Gott ” the aria continues to develop, including a long accompanied cadenzaending in E major. Sing on, mystic songster, sadly: Bacchus absorbed in contemplation. Si ode la voce del dio. When the new god came towards me, Captive was I, reft of speech, When I felt his first caresses, Captive was I of the god.

Mein Sinn ist wirr von vielem Liegen ohne Trost! Interpreters of the role of Ariadne at the Met have included Jessye Norman 22 appearances from to and Deborah Voigt 17 appearances from to The action is transferred from Paris to Vienna, and the Prologue takes place backstage.


Full Score download Vocal Score download. They describe her perpetual inconsolable weeping. She does not even lift her head! Dramma per musica in three acts. Dryad on the right.

O hear me, I pray. Other important pieces of the opera are the arias of Ariadne Wo war ich? Ihr wisst, was es war? The three nymphs, also listening retire to the two sides and to the back respectively. A ravishing girl, whose relationship to me should be closer, more vital Zerbinetta.

How comes the change from life to death? In their sweetness arjadne hidden. Zerbinetta all the four continue their dance. Ariadne hanging on his arm. Lets his fresh quarry from his grasp, that, speeding To safety, hides he recks not where.

But ’tis folly past believing To pine in this fashion. Spaak ; in Helsinki on 12 May in a Finnish translation by A. Try no more this moody lady To console, ’tis labour lost’.

Ariadne auf Naxos

Bacchus appears, rejoicing in his freedom from Circe, and Ariadne, hearing his voice, thinks he is the messenger of death, a delusion she continues to labor under when they stand face to face. Dryad taking the words from her mouth. The male comedians attempt to divert her, but Naxoz sends them off-stage and confides with Ariadne about the plight of all women at the hands of faithless men, while declaring women should be just as fickle librretto love.


Sie ist das Sinnbild der menschlichen Einsamkeit. Retrieved from ” https: At first they do not understand their mistaken identification of each other.

Opera Today : STRAUSS: Ariadne auf Naxos

Prima la musica e poi le parole Divertimento teatrale in one act. My mind is soon misled. I’d know what to do. Sandals to tie upon her beauteous feet! Schaffen Sie ihm Tinte, Feder, einen Ariaxne, was immer!

Lotte Lehmannreplacing Marie Gutheil-Schoder. This is a little monotonous, do you not find it so? In the glittering festal raiment, Work of best loved mother’s hand, I will wrap these limbs, and lay me In my tomb in yonder cave. He is not even disturbed by a brawl between the tenor and the wig maker. She renews her bitter moan. Eager for the first adventure. Intermezzo of the orchestra, referring ariadje Bacchus -very strange, mysterious. Click here for the full text of the libretto.

Giv’st thou oblivion So soon? The young composer arrives, along with the two performing companies, and is made to feel distinctly unwanted. She dwells close by alone. Each one is welcomed like a god, but this does not stop her from succumbing to a new god. Fate defiest; All Three.