Find composition details, parts / movement information and albums that contain performances of Sequenza III, for voice on AllMusic. Luciano Berio. Sequenza . Sequenza III (author’s note). Sequenza III for voice (). The voice carries always an excess of connotations, whatever it is doing. From the grossest of noises. Berio described Sequenza III as being a 3 part invention built on elements of text, performance would be different, the directions on the score are very precise.

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Songs for Seven Centuries.

Luciano Berio: Sequenza III

In order to control such a wide range of vocal behaviour, I sequenzw I had to break up the text in an apparently devastating way, so as to be able to recuperate fragments from it on different expressive planes, and to reshape them into units sscore were not discursive but musical.

Il contenuto di questa pagina richiede una nuova versione di Adobe Flash Player. Sequenza III is a piece very much of its era, paralleling other experiments in vocal sequdnza and textual meaning such as Cage ‘s Aria and Ligeti ‘s Aventures Inspired by Berberian’s extraordinary vocal prowess, Berio set out in Sequenza III to create a catalog of vocal gestures that encompassed the gamut of effects and techniques.


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Is this the most bizarre and technically difficult piece of vocal music ever – Classic FM

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AllMusic Featured Composition Noteworthy. Although Berio and Berberian divorced in the mids, their musical collaboration continued into the s.

Ricerca Search this site: In the Voice Labyrinth. The text had to be homogeneous, in order berii lend itself to a project that consisted essentially of exorcising the excessive connotations and composing them into musical units. Rainy Day Relaxation Road Trip.

Sequenza III, for voice

Streams Videos All Posts. One of Luciano Berio’s most fruitful sources of inspiration was his long collaboration with soprano Cathy Berberian – 83who was the composer’s wife as well as a primary exponent of his work throughout the s. Nel labirinto della voce. Jazz Latin New Age.

In Memoriam Cathy Berberian. The “text” consists of vocatives of little semantic value by Markus Kutter; meaning instead emerges via beiro soprano’s evocation of particular expressive formulas: The Great Works for Voice.


For this reason Sequenza III can also be considered as a dramatic essay whose story, so to speak, is the relationship between the soloist and her own voice Sequenza III was written in for Cathy Berberian. AllMusic relies heavily on JavaScript.

Give me a few words for a woman to sing a truth allowing us to build a house without worrying before night comes. In Sequenza III I tried to assimilate many aspects of everyday vocal life, including trivial ones, without losing intermediate levels or indeed normal singing.

Sequenza III, for voice | Details | AllMusic

The voice carries always an excess of connotations, whatever it is doing. Sequenza III variously requires the performer to mutter under the breath, laugh, and sing in the conventional manner. Karlheinz Stockhausen, Luciano Verio. From the grossest of noises to the most delicate of singing, the voice always means something, always refers beyond itself and creates a huge range of associations. Romantic Evening Sex All Themes.