Der Leiermann. Wilhelm Müller. Drüben hinter’m Dorfe. Steht ein Leiermann,. Und mit starren Fingern. Dreht er was er kann. Barfuss auf dem Eise. Schwankt er. Der Leiermann This song is by Franz Schubert and appears in the song cycle Winterreise (). Drüben hinterm Dorfe Steht ein Leiermann Und mit starren. There is nothing less meant by Schubert than a correct appogiatura, done by a well-aducated musician. Can we presume that the Leiermann.

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Das grosse Halleluja D. Am Tage Aller Seelen D.

Schubert, on the other hand, predominantly used rhythm or melody in the piano writing which served to illustrate the setting of the text. On ClassicalNet the critic Mark Sealey found the following words of praise:. They seem to have followed Eisenlohr’s principle that “there is not just one proper way to read and interprete a work of art” and they were obviously under the impression that Lewis had found some kind of “Philosopher’s Stone” of Schubert performance.

Auf der Bruck D. Although Ludwig van Beethoven ‘s cycle An die ferne Geliebte To the Distant Beloved had been published earlier, inSchubert’s two cycles hold the foremost place in the history of the genre. Republish our articles for free, online or in print, under Creative Commons license.


Editor Max Friedlaender We were altogether dumbfounded by the sombre mood of these songs, and Schober leieemann that one song only, “Der Lindenbaum”, had pleased him. Die erste Liebe D. In this edition the key relationships are preserved: Der Tod Oskars D. Gruppe aus dem Tartarus D.

Gretchen im Zwinger D. The right hand of the pianist often played the vocal melody — though sometimes with embellishments.

Although I don’t think that my kind of playing distracts the listener from the voice – even if it did: Etwas langsam C minor Letzte Hoffnung. Cora an die Sonne D. It gives the song a strangely “modern” sound that is interesting for a moment, but it palls very quickly and the disadvantages are enormous: Nicht zu langsam F minor Erstarrung.

Der Leiermann | Oxford Lieder

You might also like Swedish organist Anna von Hausswolff. The Schubert Song Companion. Liebhaber in allen Gestalten D. Hermann und Thusnelda D. Both Spaun and Mayrhofer describe the period of the composition of Winterreise as one in which Schubert was in a deeply melancholic frame of mind, as Mayrhofer puts it, because “life had lost its rosiness and winter was upon him.

Arranger Richard Sahla On 4 MarchSchubert invited a group of friends leidrmann his lodgings intending to sing the first group of songs, but he was out when they arrived, and the event was postponed until later in the year, when the full performance was given.


None of the above problems in Paul Lewis’s performance were ever noticed and addressed by the critics who awarded this particular recording the Gramophone Award.

Franz Schubert:Der Leiermann Lyrics

The London Evening Standard ‘s Nick Kimberley who also thinks that “Winterreise is about the voice, not the piano” stated: And the falling semiquavers with their repeated notes illustrate the flowing water in Auf dem Wasser zu Singen To sing on the water. Antigone und Oedip D. Schubert’s WerkeSerie XX: Son fra l’onde D.

They’ve transformed this most bleak of all endings into a piece of excruciating adolescent self-pity. An mein Herz D. Arranger Hugo Ulrich And soon we meet the organ-grinder. An den Mond in einer Herbstnacht D. The mysterious and ominous nature of the musician, along with the question posed in the last lines, leave the fate of scgubert wanderer open to interpretation.